

















Bird shaped vinyl
Self-initated — compiled artistic research on shapes found in broken windows, 208p offset, open spine with screenprinted plastic dust jacket, published by Soft concern hard concern, copies available through soft-concern.com, 2025












The Mountain Speaks to the Sea, Tekla Aslanishvili
Editorial design — pocket reader, 340p, offset, edited by Silvia Franceschini, published by Onomatopee, 2025










Slow Writing Lab 2024, various authors
Editorial design — digital printing on six paper types, mixed and stapled, commissioned by Nederlands Letterenfonds, 2025
















POST — Platform for Contemporary Art
Visual identity — POST is a cultural institution based in Arnhem and Nijmegen (NL), various media, 2023 – ongoing














Hereafter Called: Subject, Samuel Otte
Editorial design — 208p offset, i.c.w. Jeremy Jansen, published by Fw:Books, 2023












Slow Writing Lab 2023, various authors
Editorial design — digital printing with silkscreened linnen cover, commissioned by Nederlands Letterenfonds, 2024

























Tubelight
Magazine design — 24 pages per issue, 12 issues, offset, website i.c.w. Manus Nijhoff, 2020 – 2024












Kritieke Kunstkritiek: 25 jaar Tubelight
Exhibition design — TENT Rotterdam, curated by Veerle Driessen, Jelmer Wijnstroom and Jip Hinten, 2023 – 2024
















Sketches of Transition: An Atlas of Growth and Decay, Lara Almarcegui, Maria Barnas, Dagmar Bosma, Michele Bazzoli, Yana Naidenov
Editorial design — 288p offset, edited by Michele Bazzoli, published by Onomatopee, 2023




Transcendental Mediation
Inkjetprint on continuous paper, 21x4200cm, performed as part of A Table of Futile Evenings, Werkplaats Typografie, ISO Amsterdam, 2022













Dwarsdoorsnede
Editorial design — retrospective publication for Bakers Architecten, designed i.c.w. Eva van Bemmelen, 296p, offset, published by Nai010 publishers, 2022










Looking for the shadow of a fractured window
Self-initated — various works in wood, paper, acrylic, plexiglass and projection, 2022











Bloodletting (artist edition), Theetat Thunkijjanukij
Editorial design — 168p inkjet and risograph, self-published, 2022








Bloodletting (facsimile), Theetat Thunkijjanukij
Editorial design — 84p inkjet, self-published, 2022















How Beautiful are Your Dwelling Places, Jacob, Iwan Baan, Robert Jan van Pelt, Mark Podwal, Manuel Herz and Galina Andrusenko
Editorial design — two books in a slipcase: An Atlas of Jewish Space & A Synagogue for Babyn Yar, commissioned by Babyn Yar Holocaust Memorial Center (Kyiv, Ukrain), published by Park Books, 2021






ircle crcle cicle cirle circe circl (mantra)
Self-initiated — spreads from the book, 42x59.4cm, risograph, published by Soft concern hard concern, 2022 (Book available through soft-concern.com)






Timeline at MO.CO
Installation design — timeline of 141 posters as part of the exhibitions Betty Tompkins. Raw Material and Marilyn Minter. All Wet, at MO.CO Montpellier Contemporain, designed together with Johanna Himmelsbach, 2021




All Flourishing is Mutual
Exhibition identity — Melkweg Gallery, Amsterdam, 2022




Website design — for artist, photographer and filmmaker Anne Schoemaker, 2021



Recognition #1, #2 and #3
Self-initiated — inkjet on paper, exhibited during Zero Player at Galerie du CROUS, Paris, 2021





CryptoFoam
Installation design — in collaboration with artist collective De Onkruidenier, exhibited at Re_nature, Den Bosch and at Buitenplaats, Brienenoordeiland Rotterdam, 2021



A Clearing Ahead
Poster — representing Werkplaats Typografie at Printed Matter Virtual Art Book Fair, silkscreen and offset on A0, 2021







Chalk Talks, De Onkruidenier
Exhibition design — Warming Up Festival, Tolhuistuin, Amsterdam, 2021







Raketstart
Exhibition identity, type design — i.c.w. Team Thursday, Stedelijk Museum Breda, 2020







Leaving, Returning, Claude Nassar
Editorial design — 32p risograph, self-published, 2020











ArtEZ Finals 2019
Visual identity and signing — graduation show of ArtEZ Arnhem, i.c.w. Yin Yin Wong and Wietske Flederus, 2019











Nova
Type design — specimen available on demand (info), 2020





Meditations on a Circle (Surfaces and Objects)
Self-initated — tin, bitumen, 2018




Meditations on a Circle (Cubes)
Self-initated — wood, paint, 2018




Meditations on a Circle (Cubes)
Self-initated — wood, paint, 2018






De Dingen De Baas
Posters — series of events at Extrapool, risograph, 2018 – 2019







Recording Conceptual Art
Editorial design — redesign of the original title published in 2001 by Patricia Norvell, 2018
Kai Udema


















Bird shaped vinyl
Self-initated — compiled artistic research on shapes found in broken windows, 208p offset, open spine with screenprinted plastic dust jacket, published by Soft concern hard concern, copies available through soft-concern.com, 2025












The Mountain Speaks to the Sea, Tekla Aslanishvili
Editorial design — pocket reader, 340p, offset, edited by Silvia Franceschini, published by Onomatopee, 2025










Slow Writing Lab 2024, various authors
Editorial design — digital printing on six paper types, mixed and stapled, commissioned by Nederlands Letterenfonds, 2025
















POST — Platform for Contemporary Art
Visual identity — POST is a cultural institution based in Arnhem and Nijmegen (NL), various media, 2023 – ongoing














Hereafter Called: Subject, Samuel Otte
Editorial design — 208p offset, i.c.w. Jeremy Jansen, published by Fw:Books, 2023












Slow Writing Lab 2023, various authors
Editorial design — digital printing with silkscreened linnen cover, commissioned by Nederlands Letterenfonds, 2024

























Tubelight
Magazine design — 24 pages per issue, 12 issues, offset, website i.c.w. Manus Nijhoff, 2020 – 2024












Kritieke Kunstkritiek: 25 jaar Tubelight
Exhibition design — TENT Rotterdam, curated by Veerle Driessen, Jelmer Wijnstroom and Jip Hinten, 2023 – 2024
















Sketches of Transition: An Atlas of Growth and Decay, Lara Almarcegui, Maria Barnas, Dagmar Bosma, Michele Bazzoli, Yana Naidenov
Editorial design — 288p offset, edited by Michele Bazzoli, published by Onomatopee, 2023




Transcendental Mediation
Inkjetprint on continuous paper, 21x4200cm, performed as part of A Table of Futile Evenings, Werkplaats Typografie, ISO Amsterdam, 2022













Dwarsdoorsnede
Editorial design — retrospective publication for Bakers Architecten, designed i.c.w. Eva van Bemmelen, 296p, offset, published by Nai010 publishers, 2022










Looking for the shadow of a fractured window
Self-initated — various works in wood, paper, acrylic, plexiglass and projection, 2022











Bloodletting (artist edition), Theetat Thunkijjanukij
Editorial design — 168p inkjet and risograph, self-published, 2022








Bloodletting (facsimile), Theetat Thunkijjanukij
Editorial design — 84p inkjet, self-published, 2022















How Beautiful are Your Dwelling Places, Jacob, Iwan Baan, Robert Jan van Pelt, Mark Podwal, Manuel Herz and Galina Andrusenko
Editorial design — two books in a slipcase: An Atlas of Jewish Space & A Synagogue for Babyn Yar, commissioned by Babyn Yar Holocaust Memorial Center (Kyiv, Ukrain), published by Park Books, 2021






ircle crcle cicle cirle circe circl (mantra)
Self-initiated — spreads from the book, 42x59.4cm, risograph, published by Soft concern hard concern, 2022 (Book available through soft-concern.com)






Timeline at MO.CO
Installation design — timeline of 141 posters as part of the exhibitions Betty Tompkins. Raw Material and Marilyn Minter. All Wet, at MO.CO Montpellier Contemporain, designed together with Johanna Himmelsbach, 2021




All Flourishing is Mutual
Exhibition identity — Melkweg Gallery, Amsterdam, 2022




Website design — for artist, photographer and filmmaker Anne Schoemaker, 2021



Recognition #1, #2 and #3
Self-initiated — inkjet on paper, exhibited during Zero Player at Galerie du CROUS, Paris, 2021





CryptoFoam
Installation design — in collaboration with artist collective De Onkruidenier, exhibited at Re_nature, Den Bosch and at Buitenplaats, Brienenoordeiland Rotterdam, 2021



A Clearing Ahead
Poster — representing Werkplaats Typografie at Printed Matter Virtual Art Book Fair, silkscreen and offset on A0, 2021







Chalk Talks, De Onkruidenier
Exhibition design — Warming Up Festival, Tolhuistuin, Amsterdam, 2021







Raketstart
Exhibition identity, type design — i.c.w. Team Thursday, Stedelijk Museum Breda, 2020







Leaving, Returning, Claude Nassar
Editorial design — 32p risograph, self-published, 2020











ArtEZ Finals 2019
Visual identity and signing — graduation show of ArtEZ Arnhem, i.c.w. Yin Yin Wong and Wietske Flederus, 2019











Nova
Type design — specimen available on demand (info), 2020





Meditations on a Circle (Surfaces and Objects)
Self-initated — tin, bitumen, 2018




Meditations on a Circle (Cubes)
Self-initated — wood, paint, 2018




Meditations on a Circle (Cubes)
Self-initated — wood, paint, 2018






De Dingen De Baas
Posters — series of events at Extrapool, risograph, 2018 – 2019







Recording Conceptual Art
Editorial design — redesign of the original title published in 2001 by Patricia Norvell, 2018