Kai Udema

Bird shaped vinyl

drawer

Compiled artistic research on shapes found in broken windows, 208p offset, open spine with screenprinted plastic dust jacket, published by Soft concern hard concern, copies available through soft-concern.com, 2025

The Mountain Speaks to the Sea, Tekla Aslanishvili

Editorial design — Exhibition catalogue, 340p, offset, curated/edited by Silvia Franceschini, published by Onomatopee, 2025

Slow Writing Lab 2024

Editorial design — Various authors, digital printing on six paper types, mixed and stapled, commissioned by Nederlands Letterenfonds, 2025

POST — Platform for Contemporary Art

Visual identity — POST is a cultural institution based in Arnhem and Nijmegen (NL), various media, 2023 – ongoing

Hereafter Called: Subject, Samuel Otte

Editorial design — Design i.c.w. Jeremy Jansen, 208p offset, published by Fw:Books, 2023

Slow Writing Lab 2023

Editorial design — Various authors, digital printing with silkscreened linnen cover, commissioned by Nederlands Letterenfonds, 2024

Tubelight magazine

Editorial design — 24 pages per issue, 12 issues, offset, website i.c.w. Manus Nijhoff, 2020 – 2024

Kritieke Kunstkritiek: 25 jaar Tubelight

Exhibition design — TENT Rotterdam, curated by Veerle Driessen, Jelmer Wijnstroom and Jip Hinten, 2023 – 2024

Sketches of Transition: An Atlas of Growth and Decay, Lara Almarcegui, Maria Barnas, Dagmar Bosma, Michele Bazzoli, Yana Naidenov

Sketches of Transition: An Atlas of Growth and Decay (Michele Bazzoli)

Sketches of Transition: An Atlas of Growth and Decay (Michele Bazzoli)

Sketches of Transition: An Atlas of Growth and Decay (Dagmar Bosma)

Sketches of Transition: An Atlas of Growth and Decay (Lara Almarcegui)

Sketches of Transition: An Atlas of Growth and Decay (Yana Naidenov)

Sketches of Transition: An Atlas of Growth and Decay, Lara Almarcegui, Maria Barnas, Dagmar Bosma, Michele Bazzoli, Yana Naidenov

Editorial design — 288p offset, edited by Michele Bazzoli, published by Onomatopee, 2023

Transcendental Mediation

Inkjetprint on continuous paper, 21x4200cm, performed as part of A Table of Futile Evenings, Werkplaats Typografie, ISO Amsterdam, 2022

Dwarsdoorsnede, Bakers Architecten

Editorial design — Retrospective publication, i.c.w. Eva van Bemmelen, 296p, offset, published by Nai010 publishers, 2022

Looking for the shadow of a fractured window

Looking for the shadow of a fractured window (generated video projection)

Looking for the shadow of a fractured window (detail)

Looking for the shadow of a fractured window (lightbox)

Looking for the shadow of a fractured window (prints)

Looking for the shadow of a fractured window (embossings)

Looking for the shadow of a fractured window (sculpture)

Looking for the shadow of a fractured window (sculptures)

Looking for the shadow of a fractured window (installation)

Various works in wood, paper, acrylic, plexiglass and projection, 2022

Bloodletting, Theetat Thunkijjanukij

Editorial design — 168p inkjet and risograph, self-published, 2022

How Beautiful are Your Dwelling Places, Jacob, Iwan Baan, Robert Jan van Pelt, Mark Podwal, Manuel Herz and Galina Andrusenko

How Beautiful are Your Dwelling Places, Jacob (A Synagogue for Babyn Yar), Iwan Baan, Manuel Herz and Galina Andrusenko

How Beautiful are Your Dwelling Places, Jacob (An Atlas of Jewish Space), Robert Jan van Pelt and Mark Podwal

Editorial design — Two books in a slipcase: An Atlas of Jewish Space & A Synagogue for Babyn Yar, commissioned by Babyn Yar Holocaust Memorial Center (Kyiv, Ukrain), published by Park Books, 2021

ircle crcle cicle cirle circe circl (mantra)

Spreads from the book, 42 x 59.4cm, risographed, published by Soft concern hard concern, 2022 (Available through soft-concern.com)

Timeline at MO.CO

Exhibition design — Timeline of 141 posters as part of the exhibitions Betty Tompkins. Raw Material and Marilyn Minter. All Wet, at MO.CO Montpellier Contemporain, i.c.w. Johanna Himmelsbach, 2021

All Flourishing is Mutual

Exhibition identity — Melkweg Gallery, Amsterdam, 2022

anneschoemaker.nl

Website design — Anne Schoemaker is an artist, photographer and filmmaker, 2021

Recognition #1, #2 and #3

Recognition #1 and #2

Recognition #3

Inkjetprints on paper, exhibited during Zero Player at Galerie du CROUS, Paris, 2021

CryptoFoam

CryptoFoam (coins)

Installation design — Developed i.c.w. artist collective De Onkruidenier, exhibited during Re_nature, Den Bosch and at Buitenplaats, Brienenoordeiland Rotterdam, 2021

A Clearing Ahead

A0 poster representing Werkplaats Typografie at Printed Matter Virtual Art Book Fair 2021, silkscreen and offset, 2021

Chalk Talks, De Onkruidenier

Exhibition design — Warming Up Festival, Tolhuistuin, Amsterdam, 2021

Raketstart

Raketstart (A5 flyer)

Raketstart (museum façade)

Raketstart

Raketstart (custom typeface)

Exhibition identity & type design — Design i.c.w. Team Thursday, Stedelijk Museum Breda, 2020

Leaving, Returning, Claude Nassar

Editorial design — Art thesis with custom drawings (three elastic bands in various compositions as abstract representation of the interrelation of the three main concepts of time: past, present and future), 32p risograph, self-published, 2020

ArtEZ Finals 2019

ArtEZ Finals 2019 (hand-out)

ArtEZ Finals 2019 (signage)

ArtEZ Finals 2019 (scenography)

ArtEZ Finals 2019 (signage)

Visual identity, scenography, signing — ArtEZ Arnhem graduation show 2019, cartboard, plexiglass, vinyl, various, i.c.w. Yin Yin Wong and Wietske Flederus, 2019

Nova

Nova (specimen)

Type design — Specimen available (info), 2020

Meditations on a Circle (Surfaces and Objects)

Tin, bitumen, 2018

Meditations on a Circle (Cubes)

Series of sculptures in various compositions, wood, lacquer, vinyl, 2018

Meditations on a Circle (Cubes)

Series of sculptures in various compositions, wood, lacquer, vinyl, 2018

Recording Conceptual Art

Editorial design — Redesign of the original book (Patricia Norvell, 2001), 2018