Hereafter Called: Subject, Samuel Otte, designed i.c.w. Jeremy Jansen, published by Fw:Books, 2023
Slow Writing Lab, various authors, catalogue, digital printing with silkscreened linnen cover, commissioned by Nederlands Letterenfonds, 2024
Sketches of Transition: An Atlas of Growth and Decay, Lara Almarcegui, Maria Barnas, Dagmar Bosma, Michele Bazzoli, Yana Naidenov, 288p offset, published by Onomatopee, 2023
Kritieke Kunstkritiek: 25 jaar Tubelight, TENT Rotterdam, exhibition design, curated by Veerle Driessen, Jelmer Wijnstroom and Jip Hinten, 2023 — 2024
Transcendental Mediation, inkjetprint on continuous paper, 21x4200cm, performed as part of A Table of Futile Evenings, Werkplaats Typografie, ISO Amsterdam, 2022
Dwarsdoorsnede, retrospective publication for Bakers Architecten, designed i.c.w. Eva van Bemmelen, 296p, offset, published by Nai010 publishers, 2022
Looking for the shadow of a fractured window, various self-initiated works, wood, paper, acrylic, plexiglass, projection, 2022
Your catastrophe, self-initiated work, serving trolleys, acrylic vinyl, 2022
Tubelight magazine, editorial design, 24 pages per issue, offset, website i.c.w. Manus Nijhoff, 2020 – 2024
Bloodletting (artist edition), Theetat Thunkijjanukij, 168p, inkjetprint and risograph, self-published, 2022
Bloodletting (facsimile), Theetat Thunkijjanukij, 84p, inkjet printing, self-published, 2022
How Beautiful are Your Dwelling Places, Jacob: An Atlas of Jewish Space & A Synagogue for Babyn Yar, two books in a slipcase, commissioned by Babyn Yar Holocaust Memorial Center (Kyiv, Ukrain), published by Park Books, 2021
Spreads from the book ircle crcle cicle cirle circe circl (mantra), risograph, 42x59.4cm, published by soft concern hard concern, 2022 (Available through soft-concern.com)
Timeline of 141 posters as part of the exhibitions Betty Tompkins. Raw Material and Marilyn Minter. All Wet, at MO.CO Montpellier Contemporain, designed together with Johanna Himmelsbach, 2021
Exhibition design and identity for All Flourishing is Mutual, Melkweg Gallery, Amsterdam, 2022
anneschoemaker.nl, portfolio website for artist, photographer and filmmaker Anne Schoemaker, designed and build, 2021
Recognition (#1, #2 and #3), inkjetprints on paper, exhibited during Zero Player at Galerie du CROUS, Paris, 2021
CryptoFoam, installation and objects for De Onkruidenier, exhibited at Re_nature, Den Bosch and at Buitenplaats, Brienenoordeiland Rotterdam, 2021
A Clearing Ahead, A0 poster representing Werkplaats Typografie at Printed Matter Virtual Art Book Fair, silkscreen and offset, 2021 (Copies available here)
Chalk Talks, De Onkruidenier, modular exhibition design, Warming Up Festival, Tolhuistuin, Amsterdam, 2021
Raketstart, exhibition identity and typeface, designed i.c.w. Team Thursday, Stedelijk Museum Breda, 2020
Leaving, Returning, Claude Nassar, editorial design, risograph, self-published, 2020
ArtEZ Finals, graduation show, visual identity and signing system, designed i.c.w. Yin Yin Wong and Wietske Flederus, 2019
Nova, typeface and typespecimen, available on demand (info), 2020
Things Happening, A1 poster, inkjetprint, 2018 (available on demand)
Meditations on a Circle (Surfaces and Objects), tin, bitumen, self-initiated, 2018
Meditations on a Circle (Cubes), wood, paint, self-initiated, 2018
Meditations on a Circle (Cubes), wood, paint, self-initiated, 2018
De Dingen De Baas, poster series for Extrapool, risograph, 2018 — 2019
Recording Conceptual Art, redesign of the original version published in 2001 by Patricia Norvell, 2018
Hereafter Called: Subject, Samuel Otte, designed i.c.w. Jeremy Jansen, published by Fw:Books, 2023
Slow Writing Lab, various authors, catalogue, digital printing with silkscreened linnen cover, commissioned by Nederlands Letterenfonds, 2024
Kritieke Kunstkritiek: 25 jaar Tubelight, TENT Rotterdam, exhibition design, curated by Veerle Driessen, Jelmer Wijnstroom and Jip Hinten, 2023 — 2024
Sketches of Transition: An Atlas of Growth and Decay, Lara Almarcegui, Maria Barnas, Dagmar Bosma, Michele Bazzoli, Yana Naidenov, 288p offset, published by Onomatopee, 2023
Transcendental Mediation, inkjetprint on continuous paper, 21x4200cm, performed as part of A Table of Futile Evenings, Werkplaats Typografie, ISO Amsterdam, 2022
Dwarsdoorsnede, retrospective publication for Bakers Architecten, designed i.c.w. Eva van Bemmelen, 296p, offset, published by Nai010 publishers, 2022
Looking for the shadow of a fractured window, various self-initiated works, wood, paper, acrylic, plexiglass, projection, 2022
Your catastrophe, self-initiated work, serving trolleys, acrylic vinyl, 2022
Bloodletting (artist edition), Theetat Thunkijjanukij, 168p, inkjetprint and risograph, self-published, 2022
Bloodletting (facsimile), Theetat Thunkijjanukij, 84p, inkjet printing, self-published, 2022
How Beautiful are Your Dwelling Places, Jacob: An Atlas of Jewish Space & A Synagogue for Babyn Yar, two books in a slipcase, commissioned by Babyn Yar Holocaust Memorial Center (Kyiv, Ukrain), published by Park Books, 2021
Spreads from the book ircle crcle cicle cirle circe circl (mantra), risograph, 42x59.4cm, published by soft concern hard concern, 2022 (Available through soft-concern.com)
Tubelight magazine, editorial design, 24 pages per issue, offset, website i.c.w. Manus Nijhoff, 2020 – 2024
Timeline of 141 posters as part of the exhibitions Betty Tompkins. Raw Material and Marilyn Minter. All Wet, at MO.CO Montpellier Contemporain, designed together with Johanna Himmelsbach, 2021
Exhibition design and identity for All Flourishing is Mutual, Melkweg Gallery, Amsterdam, 2022
anneschoemaker.nl, portfolio website for artist, photographer and filmmaker Anne Schoemaker, designed and build, 2021
Recognition (#1, #2 and #3), inkjetprints on paper, exhibited during Zero Player at Galerie du CROUS, Paris, 2021
A Clearing Ahead, A0 poster representing Werkplaats Typografie at Printed Matter Virtual Art Book Fair, silkscreen and offset, 2021 (Copies available here)
CryptoFoam, installation and objects for De Onkruidenier, exhibited at Re_nature, Den Bosch and at Buitenplaats, Brienenoordeiland Rotterdam, 2021
Chalk Talks, De Onkruidenier, modular exhibition design, Warming Up Festival, Tolhuistuin, Amsterdam, 2021
Raketstart, exhibition identity and typeface, designed i.c.w. Team Thursday, Stedelijk Museum Breda, 2020
Leaving, Returning, Claude Nassar, editorial design, risograph, self-published, 2020
ArtEZ Finals, graduation show, visual identity and signing system, designed i.c.w. Yin Yin Wong and Wietske Flederus, 2019
Nova, typeface and typespecimen, available on demand (info), 2020
Things Happening, A1 poster, inkjetprint, 2018 (available on demand)
Meditations on a Circle (Surfaces and Objects), tin, bitumen, self-initiated, 2018
Meditations on a Circle (Cubes), wood, paint, self-initiated, 2018
Meditations on a Circle (Cubes), wood, paint, self-initiated, 2018
De Dingen De Baas, poster series for Extrapool, risograph, 2018 — 2019
Recording Conceptual Art, redesign of the original version published in 2001 by Patricia Norvell, 2018