Kai Udema currently lives and works in Amsterdam, NL.
CONTACT
work@kaiudema.com
+31(0)615528306
CLIENTS AND COLLABORATORS
Agata Jaworska, Art Partner, Babyn Yar Holocaust Memorial Center, CASA, Claude Nassar, De Onkruidenier, Design Academy Eindhoven, Eva van Bemmelen, Extrapool, Hans Gremmen, Johanna Himmelsbach, Lisette de Greeuw, Manus Nijhof, Melkweg, Mo.Co Musee Montpellier Contemporain, Museum Arnhem, nai010 Publishers, nY, Stichting Archiprix, Stedelijk Museum Breda, Studio Jeremy Jansen, Team Thursday, Tubelight Magazine, Ontwerp Platform Arnhem, Park Books, Patronaat Haarlem, Platform POST, Werkplaats Typografie, Yin Yin Wong, ZeroDotZero
FEATURED
Slanted Magazine #41–Amsterdam, 2023: https://www.slanted.de/making-of-slanted-magazine-41-amsterdam/
Monsterkamer, 2020: https://www.monsterkamer.nl/kai-udema-over-papier/
New Aesthetic, Leonard Laupichler, 2019
It's Nice That, 2019: www.itsnicethat.com/articles/kai-udema-nova-graphic-design-201119
OPA, 2018: www.o-p-a.nl/nl/artikelen/kai-udema-abstracte-vorm-en-conceptuele-gelaagdheid
Kai Udema currently lives and works in Amsterdam, NL.
CONTACT
work@kaiudema.com
+31(0)615528306
CLIENTS AND COLLABORATORS
Agata Jaworska, Art Partner, Babyn Yar Holocaust Memorial Center, CASA, Claude Nassar, De Onkruidenier, Design Academy Eindhoven, Eva van Bemmelen, Extrapool, Hans Gremmen, Johanna Himmelsbach, Lisette de Greeuw, Manus Nijhof, Melkweg, Mo.Co Musee Montpellier Contemporain, Museum Arnhem, nai010 Publishers, nY, Stichting Archiprix, Stedelijk Museum Breda, Studio Jeremy Jansen, Team Thursday, Tubelight Magazine, Ontwerp Platform Arnhem, Park Books, Patronaat Haarlem, Platform POST, Werkplaats Typografie, Yin Yin Wong, ZeroDotZero
FEATURED
Slanted Magazine #41–Amsterdam, 2023: https://www.slanted.de/making-of-slanted-magazine-41-amsterdam/
Monsterkamer, 2020: https://www.monsterkamer.nl/kai-udema-over-papier/
New Aesthetic, Leonard Laupichler, 2019
It's Nice That, 2019: www.itsnicethat.com/articles/kai-udema-nova-graphic-design-201119
OPA, 2018: www.o-p-a.nl/nl/artikelen/kai-udema-abstracte-vorm-en-conceptuele-gelaagdheid